Wan’s photographic practice aligns seamlessly with the theme of deconstruction, as her work dissects the boundaries between reality and illusion, narrative and fine art, tradition and reinvention. She often incorporates vernacular scenes that evoke a sense of the uncanny. Her photography also examines the relationship between the reality and illusion, focusing on themes of the performance and collective identity. She holds a degree in photography from the University of Arts, London. Her work can be found in The Guardian, Telegraph Weekend, and Bloomberg news.
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